YTSEJAM Digest 1003 Today's Topics: 1) Arrogant or what? by w de boer 2) Bohemian Rhapsody by email_address_removed.ac.uk 3) Re: 7 STRING ACCOUSTIC by email_address_removed (acook) 4) RE: ACOS etc by "Jonathan Byrne" 5) Re: YTSEJAM digest 1002 by email_address_removed (acook) 6) RE: Joe Satriani by email_address_removed.co.uk 7) RE: Comments on ACOS from the Deep Purple Newsgroup by email_address_removed.co.uk 8) Long Posts by email_address_removed.ac.uk 9) ACOS by Brian Ketelsen 10) seven string acoustic... by "Brian V. Cox" 11) (U)ARGH!! by "Steven Johnson, P" 12) YTSEJAM digest 1000 by "Steven Johnson, P" 13) YTSEJAM digest 1001 by "Steven Johnson, P" 14) wilson chan's woes by Ken Bibb 15) Acoustic intro to ACoS and other stuff by "adam coolong" 16) Re: YTSEJAM digest 1001 by YtseJammer 17) Ibanez JPM model by email_address_removed 18) New Release Lists (non DTC) by email_address_removed 19) Sorry to piss you off but... by William Kriski 20) Re: YTSEJAM digest 1002 by email_address_removed 21) Re: help with YES! by "Jonathan Byrne" 22) 6:00 and stuff by zebrowski steven 23) New CD name! by Michael Bahr 24) stuff... by zebrowski steven ---------------------------------------------------------------------- Date: Wed, 04 Oct 1995 10:31:58 +0100 From: w de boer To: email_address_removed Cc: email_address_removed.NL Subject: Arrogant or what? Message-ID: > Hey all you jammers who did not like my letter responding to Bafu's > (supposedly) sarcastic lyrics to ACOS, > Yeah, maybe I misunderstood him, maybe they were sarcastic, but I > can't > stand to see DT lyrics altered in the least bit, even if it is > sarcastically. I didn't mean to disturb the peace on this mailing > list > but it does need some life. I AM one of the BIGGEST DT fans and > I've > probably been followng DT longer than most of the people on this > list. I > SAW CHARLIE in concert and that's more than I can say for a lot of > DT > fans I know. > EXCUSE ME for not owning a computer more recently, I would have > been on > this mailing list a long time ago. > THANK YOU FOR YOUR TIME!! Is this guy arrogant or what? Wietze. ------------------------------ Date: Wed, 4 Oct 95 11:20:37 BST From: email_address_removed.ac.uk To: email_address_removed Subject: Bohemian Rhapsody Message-ID: Did DT intentionally mess around with Bohemian Rhapsody? I mean, they started at the end, and somehow finished up in the middle :) Graham B. (who has tickets for the Ozzy Osbourne, Joe Satriani and Iron Maiden concerts) ______________________________ ______________________________________ |o o| |o o| | Graham Borland |:: | email_address_removed.ac.uk |:: | Dept. of Computing Science |:: | http://www.dcs.gla.ac.uk/~borlangw |:: | Glasgow University |:: | +44 (0)141 357 4033 |:: |______________________________|:: |______________________________________|:: :::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::: ------------------------------ Date: Wed, 4 Oct 1995 08:45:22 -0400 From: email_address_removed (acook) To: email_address_removed Subject: Re: 7 STRING ACCOUSTIC Message-ID: >OH MAN! YOU GOTTA BE SH*TTIng ME! :) ... 7 string acoustic! you sure >maybe they just didn't tune down a 6 string in a certain way so that they >had the B as the low, and stuff? Yikes! Or maybe it's his 7string run >thru a DSP to make is sound acoustic. Dunno. blows the mind! Well, in an article from Guitar Shop, JP said he uses a really old Gibson accoustic that plays horrible, but sounds incredible (as you can hear from the record). He also says he uses really huge strings (.13's?) to make it sound big. So most likely he tuned down the gibson accoustic, or maybe pitch shifted it... > >So guys, what's your favorite Dream theater solo? My pesonal favorite is >the one from scarred, right before they start the "blood...heal me, fear >change me" for the second time, where it ends with messy sweep picking >... that's mine. i love it! Iworship it! > Uhm, lesse, that solo is cool. UaGM solo kicks, the one in pt 5 of ACOS I love, cause it's got so much soul and shows that JP is not your typical shredder. And of course, the Subconcious ACOS, pt 6 solo is what I feel his best work ever live... |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| | Adam Cook Dream Theater*Queensryche*Rush* | | email_address_removed Metallica*Fates Warning Red-Sox gotta beat | | Ibanez S470*ADA MP-1*Fender HOT*Zoom 1012* Indian Scum!! =) | ------------------------------------------------------------------------ ------------------------------ Date: Wed, 4 Oct 1995 08:47:45 -0400 (EDT) From: "Jonathan Byrne" To: "YtseJam" Subject: RE: ACOS etc Message-ID: Did I read that right? The Marquee has closed down!? I thought that was THE club for up and coming bands in England. I seem to remember hearing about a lot of bands getting started there, including The Who, Yes, and Marillion. What a shame, if true. ------------------------------------------------------------------------- "Could you point me to the nearest trend, Jonathan Byrne I'm lost, with no clue. West Virginia University I could change directions, email_address_removed to stay with the current It all depends on the flow." -"Audio Verite", Echolyn ------------------------------ Date: Wed, 4 Oct 1995 09:01:46 -0400 From: email_address_removed (acook) To: email_address_removed Subject: Re: YTSEJAM digest 1002 Message-ID: > > I somewhat got into DT in '92 (I was only 11 at the time =) when I >bought a cassette copy of Images and Words. > > It's cool that dudes (any dudettes out there?) are so > open-minded musically at that age; I know I wasn't. My > friend's 16 yr old sister accuses me of being "close- > minded" musically. "I like _everything_!" she says. Yeah, > everything _popular_. Pop-rock (grunge/so-called "alternative" > (okay, I like a lot of it, too) and pop-country. What gives? > I'd "pop" her one if she weren't so damn cool (and unbelievably > beautiful!>)>, otherwise. > That's all that goes on at my HS, and I think it's because it's all the kids are exposed to. I think there are two reasons for this... 1. Kids my age have to be accepted by everybody else, so they do what everybody else is doing. And big evil corporations like MTV capitalize on this. Is it just me or every time I flip by that channel they're either playing TLC, Silverchair, or Bush?? Ugh 2. Radio Stations do the same thing, if they never play different bands how are different bands going to be heard? No wonder this musical industry never goes anywhere... and I get insulted for liking DT around campus sometimes because they're different (musical predjudice anyone?). Also people say James Labrie on my T-shirt looks like Fabio =) oh well, I guess you can't win. Sorry if this is old news to you all (prolly is) but I've only been around 14 years...BTW, does that make me the youngest on here? anybody younger??? |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| | Adam Cook Dream Theater*Queensryche*Rush* | | email_address_removed Metallica*Fates Warning Red-Sox gotta beat | | Ibanez S470*ADA MP-1*Fender HOT*Zoom 1012* Indian Scum!! =) | ------------------------------------------------------------------------ ------------------------------ Date: Wed, 4 Oct 1995 13:42:39 +0100 From: email_address_removed.co.uk To: email_address_removed Subject: RE: Joe Satriani Message-ID: <"3582*/I=P/S=McLoughlin/OU=bra0108/O=icl/PRMD=icl/ADMD=gold 400/C=GB/"@MHS> Sad to hear some jammer's thoughts on the new album as I bought it on Monday and have not listened yet - waiting for the weekend. Joe is touring the UK in December. I have booked for 10th at Wembley Arena, and will go to Birmingham NEC too (7th). Surely Joe would not make a bad album. I saw him 1994 with Deep Purple and he was amazing. Patricia ------------------------------ Date: Wed, 4 Oct 1995 13:57:26 +0100 From: email_address_removed.co.uk To: email_address_removed Subject: RE: Comments on ACOS from the Deep Purple Newsgroup Message-ID: <"3583*/I=P/S=McLoughlin/OU=bra0108/O=icl/PRMD=icl/ADMD=gold 400/C=GB/"@MHS> --j5LILlc9fFp2q11dGknejIcad8zROGK7 Content-type: text/plain; charset="us-ascii" Thought you might be interested. Patricia --j5LILlc9fFp2q11dGknejIcad8zROGK7 Content-type: text/plain; charset="us-ascii" From the Deep Purple News Group: On 30 Sep 1995 thus spake email_address_removed: > Folks, > > This must be taken seriously; Dream Theater's A CHANGE OF SEASONS has just > been released. The album, aptly titled _A Change Of Seasons_, also > features an AMAZING medley of live material which was recorded at Ronnie > Scott's Jazz Club in London on January 31st of this year. Here's the > track list of the Big Medley: > > 2. Funeral For A Friend/Love Lies Bleeding - Elton John the Extra Punch they give this really works it's a Very Faithful version > 3. Perfect Strangers - Deep Purple Super! on a Seven-String Axe, no less! LaBrie is great > 4. Led Zeppelin Medley: > The Rover > Achilles Last Stand > The Song Remains the Same I don't mean to Step on Any Toes here, but this Medley absolutely Stomps All Over the LZ versions... (at least, the Studio Versions...I haven't heard anything Live...) Achilles Last Stand is the Highlight of this Medley for me > 5. Big Medley: > In the Flesh - Pink Floyd > Carry on My Wayward Son - Kansas > Bohemian Rhapsody - Queen > Lovin' Touchin' Squeezin' - Journey > Cruise Control - Dixie Dregs > Turn It On Again - Genesis ItF sounds Haunting (as it should...) ComWS is unremarkable in its Perfection (!), as is CC LaBrie again is amazing on LTS the only Low Point here (for Me) is BoRhap... not only does Sherinian come in Late on the Piano (and incidentally uses a Quite Odd Sounding one in this song) but Petrucci doesn't quite live up to Brian May here :( however, the medley As A Whole is Incredible and Seamless and Sounds Really Good and hearing all of these Covers, so Well Done, it just Amazes me that a band could exhibit such an Obvious Familiarity and Feel for other Artist's works > If you care one bit about any of these bands then this EP is a MUST HAVE. Amen. and the 23 minute title track is a Big Plus, too > Peace, > > C man and chris we can learn from the past l r.christopher hailey ...but those days are gone l we can hope for the future l email_address_removed ...but there may not be one l __ _.. _. _ .. . (Well he does sound like a DT fan I must say) The newsgroup did have some not so complimentary comments: email_address_removed Littledan2 at America Online, Inc. (1- 800-827-6364) I listened to the Zeppelin medley in my local CD shop, and it was so squeaky clean that it lost the human groove and the swing of John Bonham, especially Achilles, which felt like studio musicians reading charts with no emotion. Dan I've been a DT fan for a couple of years now and I'm highly not impressed by the EP. Change of Seasons is nice, although a little flowery in places. What's the point of recording covers if they sound exactly or almost exactly the same as the original. I can see ripping one out in concert just to keep people grooving, but why release covers if they're the same? The only bit that I really got into was the Journey thing and that was only because they do it a little different - more guitar, etc. The rest of them just make me want to listen to the originals. Later, Alex Miller email_address_removed --j5LILlc9fFp2q11dGknejIcad8zROGK7-- ------------------------------ Date: Wed, 4 Oct 95 14:54:17 BST From: email_address_removed.ac.uk To: email_address_removed Subject: Long Posts Message-ID: Please don't post long messages. I really can't be bothered to read them. I much prefer witty one-liners, or short messages with a point, which us 'jammers seem to be good at, than the awful neverending note-by-note analyses of every single song, which are also regrettably common on the list. I know that if I don't like it then I don't have to read it. If it's more than about 30 lines or so (including paragraph breaks), then I ALWAYS skip it (unless it's from Mike Bahr). So if you want people to actually read your posts, why not make them readable and concise, instead of wittering on for hours? Graham B. (whose post is only 21 lines long, including .sig) ______________________________ ______________________________________ |o o| |o o| | Graham Borland |:: | email_address_removed.ac.uk |:: | Dept. of Computing Science |:: | http://www.dcs.gla.ac.uk/~borlangw |:: | Glasgow University |:: | +44 (0)141 357 4033 |:: |______________________________|:: |______________________________________|:: :::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::: ------------------------------ Date: Wed, 4 Oct 1995 09:24:07 -0600 From: Brian Ketelsen To: email_address_removed Subject: ACOS Message-ID: I've never posted before, but have been a silent reader for months. ACoS is the reason I'm writing today. It ROCKS. Never before has DT put out a song that touched me so much. WOW. Just had to speak my mind. Brian Ketelsen ------------------------------ Date: Wed, 4 Oct 1995 09:09:20 -0500 (CDT) From: "Brian V. Cox" To: email_address_removed Subject: seven string acoustic... Message-ID: > From: YtseJammer > Subject: SEVEN STRING ACOUSTIC? > > OH MAN! YOU GOTTA BE SH*TTIng ME! :) ... 7 string acoustic! you sure > maybe they just didn't tune down a 6 string in a certain way so that they > had the B as the low, and stuff? Yikes! Or maybe it's his 7string run > thru a DSP to make is sound acoustic. Dunno. blows the mind! well, it was just easier to notate it that way since it is tuned the same as a 7 string. it probably is just a regular six with fat strings tuned down a perfect 4th so that it is the same tuning as the bottom 6 of a 7 string. since he never plays anything on the top couple of strings until the electric comes in (the part that i didnt include, since my guitar was tuned down :) ) that open low B really adds some ominous mood, doesnt it? :) this weekend i will be working on tabbing out more, i will probably be skipping little parts that are too hard (like that insane part where the keys, bass, and guitar are all playing contrapuntal lines in either 16ths or 32nd note triplets,i cant tell which it is) :) **always looking for rush/dream theater/queensryche/king's x bootlegs** ============================================================================= Voices repeating me, Brian V. Cox Voices discussing me, "Feeling threatened? email_address_removed "Others steal your thoughts We reflect your hopes Dream Theater- They're not confined and fears." A Mind Beside Itself: II. Voices Within your mind." ============================================================================= check out my new homepage: http://tam2000.tamu.edu/~bvc8995 ------------------------------ Date: 04 Oct 1995 11:32:11 GMT From: "Steven Johnson, P" To: email_address_removed Subject: (U)ARGH!! Message-ID: For being a journalism grad. I sure have a lot of typos in my notes (see concurrence with Rich Rivera this issue!!) Also....FINALLY picked up WDADU. Thanks to all those in the Ch-town area who helped me locate a copy. Found it at the BEST BUY on North and Sheffield (near Goose Isl.). Also picked up LATM. My main thought on WDADU is Charlie wasn't nearly as bad as I expected, nor as I had heard him to be on Subcon., etc. Still like LaBrie better. Can anyone e-mail me directly with explanations of the DT "symbol?" I just can't seem to figure it out and it's been 13 months since my intro to the group. Thanks!!! LATER- *************************************************************** Dennis Rodman -- a Chicago Bull? YEEEEEEESSSSHHHH!!! ------------------------------ Date: 04 Oct 1995 11:19:11 GMT From: "Steven Johnson, P" To: email_address_removed Subject: YTSEJAM digest 1000 Message-ID: *** Reply to note of 10/03/95 12:54 I agree with Rich Rivera.....This Fickett guy and his ACOS review wasn't a review at all. He gave one nod to DT's musical ability and then just ripped on the entire genre the way I rip on NIN, Green Day, Liz Phair, etc. The big difference is I am not in the business of reviewing recordings. If he was at a bar with is buds (most likely those in the alternative mainstream), there's no problem (in general, of course, if I heard him, I'd kcik his ass :)). But he displays nary a bit of professional journalism nor the musical tolerance needed to accomplish his goal of being a credile critic. P.S.--I was a print journalism studanet at the Univ. of Ill., did and still do extensive radio work and am a media relations professional....this is given to try and solidify MY credibility. LATER- *************************************************************** Dennis Rodman -- a Chicago Bull? YEEEEEEESSSSHHHH!!! ------------------------------ Date: 04 Oct 1995 13:14:13 GMT From: "Steven Johnson, P" To: email_address_removed Subject: YTSEJAM digest 1001 Message-ID: *** Reply to note of 10/03/95 23:15 I don't know why anyone is giving sooooo much credit to LaBrie for being able to change delivery styles from one tune to the next in the Big Medley. He's not making any abrupt changes, the rest of the band is. If you've ever done a medley, especially one with songs that are fairly close together style-wide (as opposed to singing along with the overture to a Sondheim musical), what james is doing ain't that hard. MHO...LATER- *************************************************************** Dennis Rodman -- a Chicago Bull? YEEEEEEESSSSHHHH!!! ------------------------------ Date: Wed, 4 Oct 1995 11:19:52 -0700 From: Ken Bibb To: email_address_removed, email_address_removed Subject: wilson chan's woes Message-ID: This is a perfect example of what *NOT* to do when you want to unsubscribe. As the welcome message states (also in the info file), send email to ytsejam-owner@arastar.com if you have problems unsubscribing. ^^^^^^ > Please get me off of this list..... > I've been trying for weeks now.... > someone out there help me.... > email_address_removed I find this interesting because I've responded twice to him explaining that "email_address_removed" is not subscribed to the list and never received a response from him. Wilson (if you get this), what other account could you be subscribed as? -- Ken Bibb "Through the fire backwards email_address_removed Again and Again email_address_removed Return to base." Peter Hammill--"A Headlong Stretch" ------------------------------ Date: Wed, 4 Oct 95 13:37:09 -0500 From: "adam coolong" To: email_address_removed Subject: Acoustic intro to ACoS and other stuff Message-ID: Hey, Jammers! I have been here on the list since last year (not counting summer, though, but my account is free!). Sometimes I feel like a bit of an outsider, so I don't post much. I do make exceptions, however, when the subject is guitars. In response to the seven-string acoustic thread: IMO, it's simply a standard six-string acoustic with the low E detuned to B. Why? 1. I've never heard anything about any company making an instrument such as this, custom or otherwise, and I consider myself pretty well "in tune" (ha, ha) with the subject. Any innovation like this one would certainly make it into the guitar mags (e.g. Nuno Bettencourt's custom Washburn doubleneck). 2. He doesn't need all six strings to play the first part of the riff in question, so that the detuning of the low E is easily facilitated. 3. I think that when the higher-register stuff comes in (sorry, I have no index reference) it is probably on another track. In this way, JP could easily pull of that whole section. There is no way that that tone is from a processed electric, so this is my only explanation. I could be wrong, though... Oh, and here's how I got into DT (if anyone is interested): I first heard them along with the bulk of society when PMU was on eMpTyV (sorry to steal that from its creator, whomever you are, but it's really cool!!) My girlfriend at the time (shudder!) liked the song, so I of course hated it without listening. She liked all sorts of alternative music, which I really don't care for AT ALL, so I immediately passed judgement on a band that I have now realized to be the greatest musical entity on the face of the earth! I later heard all of I&W when a guy in my band borrowed the CD from a friend in his dorm. WOW!! I kick myself for not being open enough to listening sooner. I can now say that I will love DT 'til the day I die! I was even lucky enough to work on their crew as a local lighting tech when they came here to Minneapolis! That was the coolest day of my young career! Anyway, sorry about the length, and long live DT! Adam Coolong email_address_removed ------------------------------ Date: Wed, 4 Oct 1995 15:35:29 -0400 (EDT) From: YtseJammer To: email_address_removed Cc: Multiple recipients of list Subject: Re: YTSEJAM digest 1001 Message-ID: Ok Ok ... about that "Mi lengua, mi lengua ... se sale de mi boca" is actually not italian, but SPANISH for "My language (tongue), my language ... it leaves from my mouth" (i guess it could be more poetic, but f*ck it for now ) :)... Hmm, back to dream theater! I think ACOS was FAR too short, maybe DT should strive for the 74 minute song (to fit a CD) or maybe a symphony with 3 parts and a coda :) .. haha i'm just kidding of course. And for all you folks who think that the acoustic riff at the beginning of ACoS is not represented throughout the song, you're very very wrong. Just listen carefully, and you will hear the same chord changes underlying some of Kevin James's vocals. Maybe not the EXACT same riff, but close enough. it's the same idea as PMU, where the distorted guitar follows the intro clean guitar to some degree. enough jabber! Seeya in the next digest! ------------------------------ Date: Wed, 04 Oct 1995 10:28:44 -0500 (CDT) From: email_address_removed To: email_address_removed Subject: Ibanez JPM model Message-ID: hi there you all, well its my first time writing to the list so i hope i'm coming through. anyway, Strings and Things here in Memphis has the IBanez John Petrucci model on sale. and my friend Bill who works there can get it to me for $1199!! thats a deal. i hogged that guitar for an hour and a half jammin on it, i really dig it. espacially the pickup selector and the wide range of tones you can get from it. its really warm for a "shred" guitar. well i was wondering if any of you know exactly how many were made this year. or any other kind of interesting info on it. thanks and take care, Joe ------------------------------ Date: Wed, 4 Oct 1995 09:13:49 -0700 From: email_address_removed To: email_address_removed Subject: New Release Lists (non DTC) Message-ID: Would one of you cool 'jammers post directions on how to get one of those nifty new release lists? URL's for web sites are also appreciated! Thanks, Jon ------------------------------ Date: Wed, 4 Oct 1995 10:25:51 -0600 (MDT) From: William Kriski To: email_address_removed Subject: Sorry to piss you off but... Message-ID: Johnny and others, I've only taken 1.5 years of spanish in university, but I'm pretty sure that statement is spanish and means "My tongue, my tongue, it leaves my mouth". It might have a different translation if it's idiomatic. DT Content: I was in a guitar contest recently and thought I'd share my attempts to spread the "word" of DT. I played the solo to UaGM, but no one except my friends commented. I'd bet a lot of money there was no one else in the crowd that recognized it...sigh... I don't think people should get pissed off about changing lyrics although I'm not aware of what happened exactly. I always change lyrics usually to make them funny and have sexual connotations, while making the changes as minimal as possible. For example, "Gabe Tang comes to early..." instead of "Morning comes too early" in Another Day. I changed one word but the meaning changes dramatically! E-mail me for more examples! Will ------------------------------ Date: Wed, 04 Oct 1995 12:25:12 -0500 (EST) From: email_address_removed To: email_address_removed Subject: Re: YTSEJAM digest 1002 Message-ID: The Instrumental #5 on Lost in the Sky is Eve on the copy that I've got... ------------------------------ Date: Wed, 4 Oct 1995 12:49:19 -0400 (EDT) From: "Jonathan Byrne" To: "YtseJam" Subject: Re: help with YES! Message-ID: For a first time listener, I'd recomment the early stuff. _Close to the Edge_ is one of the best albums ever, but if you're not a fan of side long epics, this might be bad start. _Fragile_ is almost as good, and the tunes are a little more broken up. Right now I seem to be listening quite a bit to _Relayer_. "Sound Chaser" is great! Hope this helps, ------------------------------------------------------------------------- "Could you point me to the nearest trend, Jonathan Byrne I'm lost, with no clue. West Virginia University I could change directions, email_address_removed to stay with the current It all depends on the flow." -"Audio Verite", Echolyn ------------------------------ Date: Wed, 4 Oct 1995 13:04:22 -0400 (EDT) From: zebrowski steven To: email_address_removed Subject: 6:00 and stuff Message-ID: Some jammer had a really good interpretation of "6:00" a few jams ago, but when your sig takes up a whole page IT'S TIME TO CUT IT DOWN! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ___ ___ ___ _ _ ___ ___ "...all that I feel is honor and spite. | __| |_ _| | __| | V | | __| |_ | ...all I can do is to set it right." |__ | | | | __| \ / | __| / / Kevin Moore, PMU |___| |_| |___| V |___| |___|"Of all the stupid things I could have Steve Zebrowski email_address_removed thought this was the worst..." Joe Jackson, Hometown ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ unofficial netequitte is 4-8 lines... ------------------------------ Date: Wed, 4 Oct 1995 10:09:54 -0700 (MST) From: Michael Bahr To: email_address_removed Subject: New CD name! Message-ID: Well, the votes are in, and the new Cd for after WDATU, with rarities and demos and vocal auditions will be titled... "Mercy Fuck" Any feedback is appreciated. HA! Gotcha there! :) :) :) Actually, the name that won was "Antiquities", by quite a margin. however I just had another name suggested that sorta works well, so we're going to go into a "playoff round of voting" between it and the top two finishers from before. Cast your vote in e-mail... - Antiquities - Forgotten Lore - Scenes From a Memory Mike Bahr, email_address_removed ------------------------------ Date: Wed, 4 Oct 1995 13:27:00 -0400 (EDT) From: zebrowski steven To: email_address_removed Subject: stuff... Message-ID: Call me tone deaf, but where in the ACoS intro does the acoustic go down to the B? I only hear the low E. John P admittedly doesn't play much acoustic guitar, and only started because Ibanez started GIVING them to him. I think it's just standard acoustic in standard tuning. oh, no. some guy in the lab here has on his terminal "Blind Melon Tour Info." I think it's time for me to go... ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ___ ___ ___ _ _ ___ ___ "...all that I feel is honor and spite. | __| |_ _| | __| | V | | __| |_ | ...all I can do is to set it right." |__ | | | | __| \ / | __| / / Kevin Moore, PMU |___| |_| |___| V |___| |___|"Of all the stupid things I could have Steve Zebrowski email_address_removed thought this was the worst..." Joe Jackson, Hometown ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ------------------------------ End of YTSEJAM Digest 1003 **************************